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Schwartz, this ridiculous comedy benefits from a game cast headed by Tony Curtis still riding high from "Some Like It Hot" (which is referred to for easy laughs in the story) and Natalie Wood who shows her comedy chops with dexterity here.

Add a sultry Fran Jeffries who performs two numbers (including the title tune) for no apparent reason except to sell records, an even sexier Leslie Parrish ("The Manchurian Candidate") as Weston's secretary, and a genuinely funny extended car chase scene, and you have the makings of an under-appreciated sex comedy.

The 2009 DVD, part of the six-disc "The Natalie Wood Collection", includes a Warner Brothers cartoon ("Nelly's Folly") and the original theatrical trailer.

One of the darts that Bob has thrown has pierced Helen's heart, as if it was one of cupid's arrows.

See more » Immediately after Rudy asks Gretchen if she likes to dance, the shot changes to Frank's car going the wrong way up an on ramp, narrowly passing between a light blue Corvair and a black car.

The campaign involved print ads as well as television, radio and bookstore appearances; however, Brown often was barred from saying "sex" during her television appearances. Well it's just because nobody ever got off his high horse long enough to write to single women in any form they could associate with.

If they had, somebody else would be the arbiter for single women at this point instead of me.

Curtis was still at the top of his game here showing how he can easily elicit laughs from such a vile manipulator, but it's Wood who surprises as Brown.

Displaying a nervous but infectious energy that feeds nicely into the two sides of the doctor, she is funny and sexy in a way that she could never quite balance as well again in her career.

The basic mistaken identity plot device fails to provide laughs and it is so much the base of the film's story that it's failure prevents the whole from going anywhere. There is a saving grace, and that is the presence of the then 25 year old Natalie Wood, playing the sexologist Helen Gurley Brown. She had, at that age, a natural girl next door beauty that has rarely if ever been rivaled in film history.

Seeing this film and Wood again recently for the first time in decades was a revelation.

He hits the back of the taxi and flies over it, but the other cars are not there. Regardless, they all have the same brew of conjugal misunderstandings, mistaken identities and leering though never explicit sexuality because those were the days when a woman's virtue would never be compromised for anyone but the right man.

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