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He recuperated at the home of friend and painter Ralph Wallace Burton, and later moved to the Mc Michael Conservation Estate in Kleinburg, Ontario.[17][22] [23] Jackson died in 1974, over the Easter holiday in a nursing home in Toronto.

He is buried on the grounds of the Mc Michael Gallery.[24] His niece Naomi Jackson Groves published several books about his life and work including Two Jacksons (2000), an account of a shared trip through France and Germany in 1936.[25][26] Honours In 1967 Jackson was appointed a Companion of the Order of Canada.[27] In 1970, the Royal Canadian Academy awarded Jackson its medal for lifetime achievement.[30] The A. Jackson Lookout on Highway 144 in Sudbury overlooks the waterfall depicted in Jackson’s 1953 painting Spring on the Onaping River.[31] The Ottawa River Institute has established an A. Jackson Trail in his honour.[32] Signed in pencil Rous & Mann Limited, Toronto, 1925.

Shortly after he returned from wintering on Georgian Bay, he learned that in his absence he had been included in an informal group of Studio Building artists, exhibiting for the first time, called the Group of Seven.[7] The Beaver Hall Group was formed in Montreal in May 1920 with A. “Schools and ‘isms’ do not trouble us”, he maintained, “individual expression is our chief concern”.[12] He identified its goals as being those of the Group of Seven, and over the years Jackson maintained the contact between Toronto and Montreal, supporting and stimulating the Montreal artists through regular visits and correspondence.

He kept them informed of events in Toronto and arranged for their works to be included in the Group of Seven exhibitions.[13] It is through this association he made lifelong friends of Beaver Hall artists Anne Savage, Sarah Robertson and Kathleen Morris.[12] Jackson left the Studio Building in 1955 with Lawren Harris mourning, in a letter from Vancouver, “Your moving from the Studio Building marks the end of an era, the one era of creative art that has the greatest significance for Canada…

You were the real force and inspiration that led all of us into a modern conception that suited this country, and the last to leave the home base of operations.”[7] In 1919, Jackson and six painter colleagues formed the Group of Seven.

These artists were considered to be bold, because the Canadian wilderness had previously been considered too rugged and wild to be painted.[14] Although his name is conventionally associated with this group, he would also remain something of a loner throughout his life.[15]:191 In 1925, he taught at the Ontario College of Art in Toronto; this was the only year that he missed his annual spring trip to Quebec.

Of This Portfolio One Hundred copies, each print duly signed, have been printed by Rous & Mann, Limited, at their Press, 172 Simcoe Street, Toronto, Canada, this copy being Number 67.

Each work is printed on a page measuring 15 1/4″ x 11 1/4″.

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